Realityleavesevidence.
Three cities. Three tempos. One continuous record of bodies, surfaces and passing time.
Istanbul
Ferries, stations and crowded passages hold the rhythm of the city. Bodies move between the water, architecture and the layered memory of İstanbul.
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Manchester
Brick, glass, murals and industrial memory form a changing stage. Private gestures briefly align with the city’s public images.
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The city never poses.
It only leaves traces.
Liverpool
Waterfront scale, music mythology and passing bodies meet. The city moves between performance, labour and ordinary movement.
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Field Notes
Colour notebook pages, handwritten fragments and visual traces gathered around the photographic archive — a working surface where the city continues after the frame.
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Evidence.
I do not make images. I collect what reality leaves behind.READ THE TEXT →
I photograph the city not to describe it, but to meet the evidence it leaves behind.
Ali Alışır’s black-and-white photographs move between documentary attention and the visual collisions of everyday life. The real body and the manufactured image remain in the same frame.